I am a socially engaged documentary photographer. I am  currently working on a number of  ‘reportage’ photographic projects both contemporary and historical. My main project is the Divinity Road Photo Project. This is running to late 2021. A section of it ‘A street in a global pandemic’ is my first on-line exhibition, hosted by the University of Birmingham-based Arts of Place. It opened in January 2021.

The Covid19  pandemic  has had a huge impact on all our lives and I have spent a year (May 2020-April 2021) documenting  individuals responses to a collective challenge through their wearing of masks. A  collection of these photographs will make up my first photobook: Wear a mask! Oxford pandemic portraits to be published by Signal Books in September 2021. A small selection is exhibited in the panel on the right.

Finally I’m still working on a more conceptual place-based meditation on the nearby Bartlemas hamlet, including allotments, abandoned nursery and ancient leper hospital and surrounds.  All of these projects are what is sometimes called ‘long form documentary’ practice.

One of my photos (right) was a prizewinner in the Martin Parr Foundation competition ‘Time capsule 2020’ summarising for viewers of the future, the summer of 2020 in a single shot.


‘I like these two people in their masks who are very socially engaged with each other. So that works well….We’ve got two of the main themes of the year together in one photo. Good shot.’

Martin Parr

My  six week documentation of Oxford East MP Anneleise Dodds’ 2019  General Election campaign is posted in the panel on the right.

Over the years I have contributed photographs  to newspapers and magazines ranging from The Guardian to New Internationalist and Camerawork (the now-famous 1981 issue on Ireland) and have specialised on environmental and sustainability themes for both Environmental Images and Photofusion picture agencies. I am also revisiting my archive of b/w photos from the 1970s and 1980s. There are currently five collections up here on allotments, the worker co-operative movement, a Co-op horticultural show, the ‘Green Gatherings’,  and China under Chairman Mao, with more collections to follow. I like to feel that there is a thread of ‘humanitarian optimism’ running through my work.

Twenty odd years ago (1999-2000) I documented the construction of the Oxford Central Mosque on Manzil Way. The Central Mosque Committee have reproduced 23 of the photos on their website as a unique historical record.

I have also been working with the National Co-operative Archive based in Manchester who are running a project on the worker co-op movement that flourished in the UK in the 1970s and 80s. I was heavily involved at the time. I have contributed over 120 photographs from that period to the archive which are now in ten collections on Flickr. Some of them are posted in my worker co-ops gallery.

The Bhopal Medical Appeal (BMA) has published an archive of 73 of my photos (here) from the time I was working there in 1986. They are published for the first time and are part of the commemoration of the disaster at Bhopal in December 1984. I am very pleased to have been able to contribute to the BMA campaign in this way. They remain a very moving portrayal of an issue that still hasn’t gone away.

I have worked with Prof Florence Boos of the University of Iowa to add around 70 photographs I took in Faroe and Iceland in 2013 to the on-line edition of William Morris’s Icelandic Journals.  You can view them here. These were augmented by a further trip to Iceland in 2017.

I have no formal photographic training, though I did do a post grad degree in Film Studies at PCL in the late 1970s. I am a member of the Royal Photographic Society and the Oxford Photographer’s Group.

I retain the copyright on all my photographs, both on this site and elsewhere.